The Great Fires: Poems, 1982-1992JOYCE'S MOTTO has had much fame but few apostles. Among them, there has been Jack Gilbert and his orthodoxy, a strictness that has required of this poet, now in the seventh decade of his severe life, the penalty of his having had almost no fame at all. In an era that puts before the artist so many sleek and official temptations, keeping unflinchingly to a code of "silence, exile, and cunning" could not have been managed without a show of strictness well beyond the reach of the theater of the coy. The "far, stubborn, disastrous" course of Jack Gilbert's resolute journey--not one that would promise in time to bring him home to the consolations of Penelope and the comforts of Ithaca but one that would instead take him ever outward to the impossible blankness of the desert--could never have been achieved in the society of others. What has kept this great poet brave has been the difficult company of his poems--and now we have, in Gilbert's third and most silent book, what may be, what must be, the bravest of these imperial accomplishments. "From the Trade Paperback edition." |
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Page 5
... standing silent in the morning light . O Lord , thou art slabs of salt and ingots of copper , as grand as ripe barley lithe under the wind's labor . Her breasts are six white oxen loaded with bolts of long - fibered Egyptian cotton . My ...
... standing silent in the morning light . O Lord , thou art slabs of salt and ingots of copper , as grand as ripe barley lithe under the wind's labor . Her breasts are six white oxen loaded with bolts of long - fibered Egyptian cotton . My ...
Page 23
... standing in front of the William Pitt Hotel or pointed at Kaufmann's Department Store . Usually around midnight , but the people still going by . The camera set slow enough that cars and people left no trace . The crowds in Rome and ...
... standing in front of the William Pitt Hotel or pointed at Kaufmann's Department Store . Usually around midnight , but the people still going by . The camera set slow enough that cars and people left no trace . The crowds in Rome and ...
Page 73
... are only the proscenium for . The man does not want to know rapture by standing outside himself . He wants to know delight as the native land he is . NIGHT SONGS AND DAY SONGS Light is too bare , 73 THINKING ABOUT ECSTASY.
... are only the proscenium for . The man does not want to know rapture by standing outside himself . He wants to know delight as the native land he is . NIGHT SONGS AND DAY SONGS Light is too bare , 73 THINKING ABOUT ECSTASY.
Contents
GOING WRONG | 3 |
GOING THERE | 16 |
THE SPIRIT AND THE SOUL | 23 |
Copyright | |
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Aegean afternoon afterward barley beautiful bewildered birds body cold comes crying dances dark Denmark DON GIOVANNI door dream dress empty Eurydice everything eyes face feet finally fire flesh GIFT HORSES girls goes going-home train hair happy HARM AND BOON hear heart horses IMAGINE THE GODS inside JACK GILBERT kerosene lamps listened live look LORD SITS lost marriage Mediterranean light MICHIKO DEAD Monolithos moon moonlight morning mountain naked nakedness Nogami olive trees Orpheus Passion Perugia Pittsburgh pleasure poems Prospero raccoon rain REC'D remember ripe river Rome ruined searching shutters silence singing smell snow soul spirit standing STEEL GUITARS stone street stubborn summer sunlight sweet talking teak tell things tomatoes trees trying Umbria UNIVERSITY OF CALIFORNIA upstairs valley voice WABI walking watch weeds WHITE HEART wild window winter woman women woods young