The Great Fires: Poems, 1982-1992JOYCE'S MOTTO has had much fame but few apostles. Among them, there has been Jack Gilbert and his orthodoxy, a strictness that has required of this poet, now in the seventh decade of his severe life, the penalty of his having had almost no fame at all. In an era that puts before the artist so many sleek and official temptations, keeping unflinchingly to a code of "silence, exile, and cunning" could not have been managed without a show of strictness well beyond the reach of the theater of the coy. The "far, stubborn, disastrous" course of Jack Gilbert's resolute journey--not one that would promise in time to bring him home to the consolations of Penelope and the comforts of Ithaca but one that would instead take him ever outward to the impossible blankness of the desert--could never have been achieved in the society of others. What has kept this great poet brave has been the difficult company of his poems--and now we have, in Gilbert's third and most silent book, what may be, what must be, the bravest of these imperial accomplishments. "From the Trade Paperback edition." |
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Page 10
... moonlight below on the empty piazza , concentrating . She moves the curtain a little to the side , and he is happy . It is a dream we all know , the perfection of love that is not real . There is a fountain behind him . III It is a few ...
... moonlight below on the empty piazza , concentrating . She moves the curtain a little to the side , and he is happy . It is a dream we all know , the perfection of love that is not real . There is a fountain behind him . III It is a few ...
Page 44
... moonlight . Maybe because he is not good at his job . I believe he loves us against his will . Because of the women and how the men struggle to hear inside them . Because we construe something important from trees and locomotives ...
... moonlight . Maybe because he is not good at his job . I believe he loves us against his will . Because of the women and how the men struggle to hear inside them . Because we construe something important from trees and locomotives ...
Page 65
... spirits would push long thin poles , ivory in the moonlight , silently through the fence , trying to touch the whiteness . those sleeping men had around their hearts . FORAGING FOR WOOD ON THE MOUNTAIN The wild up here 65 SONATINA.
... spirits would push long thin poles , ivory in the moonlight , silently through the fence , trying to touch the whiteness . those sleeping men had around their hearts . FORAGING FOR WOOD ON THE MOUNTAIN The wild up here 65 SONATINA.
Contents
GOING WRONG | 3 |
GOING THERE | 16 |
THE SPIRIT AND THE SOUL | 23 |
Copyright | |
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Aegean afternoon afterward barley beautiful bewildered birds body cold comes crying dances dark Denmark DON GIOVANNI door dream dress empty Eurydice everything eyes face feet finally fire flesh GIFT HORSES girls goes going-home train hair happy HARM AND BOON hear heart horses IMAGINE THE GODS inside JACK GILBERT kerosene lamps listened live look LORD SITS lost marriage Mediterranean light MICHIKO DEAD Monolithos moon moonlight morning mountain naked nakedness Nogami olive trees Orpheus Passion Perugia Pittsburgh pleasure poems Prospero raccoon rain REC'D remember ripe river Rome ruined searching shutters silence singing smell snow soul spirit standing STEEL GUITARS stone street stubborn summer sunlight sweet talking teak tell things tomatoes trees trying Umbria UNIVERSITY OF CALIFORNIA upstairs valley voice WABI walking watch weeds WHITE HEART wild window winter woman women woods young