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Plato, 78

Revolution, French, viii, 29,
41, 63, 70, 78, 79, 81
Revue bleue, 90, 99

Revue d'art dramatique, viii,
42, 57, 81, 86, 87, 88, 89, 92,
93, 120

Revue des Deux Mondes, 27,
116

Revue de Paris, 85

Plays of the Past, etc., 45-48 Revue universelle, La, 86

Polin, 50, 55

Ponsard, 91

Portefeuille, Le, 91, 93

Pottecher, M., 27, 57, 83, 87,
91, 116, 133
Pouvillon, E., 133
Power of Darkness, The, 41,
81, 95, 104

Précieuses ridicules, Les, 85
Precursors of the People's
Theater, 63

Préoccupations intellectuelles,
etc., Les, 82

Présent et l'avenir, Le, 85

Priestley, 129

Prieur, 71, 74.

Prinz Friedrich von Hom-

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Richard III, 124

Richelieu, 53

Ritt, M., 51

Robe rouge, La, 96, 97
Robespierre, 71, 75, 78, 79;
speech quoted, 79
Rodenbach, Georges, 3
Rolland, Romain, iii, iv, v, vii,
viii, 87, 88, 91, 96

Roman Theater of Orange,
85

Romantic Drama, The, 28-33
Romanticism, German, 29
Romme, 72

Rostand, Edmond, 31, 32, 91
Rousseau, 63, 64, 67, 69

Ruff, 82

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Salle Wagram, 50, 110

69; Preface Samaritaine, La, 31

Reine Jeanne, La, 85

Repas du Lion, Le, 36

Sapho, 93

Sardou, 93, 125

Schiller, 38, 40, 42, 69, 82,

107, 115; quoted on drama,

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Théâtre du peuple à la co-
opération des idées, etc., 86
Théâtre de la Renaissance-
Gémier, 89

Théâtre populaire, 90, 92, 94,
96

Thérèse Requin, 96, 97
Thermidor, 90

Thesis plays, 35
Thibaud, Anna, 55
Tiers état, 91
Toekomst, 81

Tolstoy, 6, 7, 41, 81, 95, 104
To the French Nation, quot-
ed, 68

To the Poets of the 19th
Century, 136

Translator's Preface, i
Trarieux, Gabriel, 87, 91
Treizième Etude de la Na-
ture, 67

Trente ans de Théâtre and
Popular Galas, 49-59
Triomphateurs, Les, 85
Types of People's Drama
(Melodrama), 118-123
Types of People's Drama
(Historical Drama), 124-

130

Types of People's Drama
(Social Play, etc.), 131

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By ROMAIN ROLLAND

Translated from the French by GILBERT CANNAN. In three volumes, each $1.75 net.

This great trilogy, the life story of a musician, at first the sensation of musical circles in Paris, has come to be one of the most discussed books among literary circles in France, England and America.

Each volume of the American edition has its own individual interest, can be understood without the other, and comes to a definite conclusion.

The three volumes with the titles of the French volumes included are:

JEAN-CHRISTOPHE
DAWN-MORNING-YOUTH-REVOLT

JEAN-CHRISTOPHE IN PARIS

THE MARKET PLACE-ANTOINETTE-THE HOUSE

JEAN-CHRISTOPHE: JOURNEY'S END

LOVE AND FRIENDSHIP-THE BURNING BUSH-THE NEW

DAWN

Some Noteworthy Comments

"Hats off, gentlemen-a genius.' One may mention 'Jean-Christophe' in the same breath with Balzac's 'Lost Illusions'; it is as big as that. It is moderate praise to call it with Edmund Gosse 'the noblest work of fiction of the twentieth century.' A book as

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big, as elemental, as original as though the art of fiction began today. We have nothing comparable in English literature. Springfield Republican.

"If a man wishes to understand those devious currents which make up the great, changing sea of modern life, there is hardly a single book more illustrative, more informing and more inspiring."-Current Opinion.

"Must rank as one of the very few important works of fiction of the last decade. A vital compelling work. We who love it feel that it will live."-Independent.

"The most momentous novel that has come to us from France, or from any other European country, in a decade."-Boston Transcript. A 32-page booklet about Romain Rolland and Jean-Christophe, with portraits and complete reviews, on request.

HENRY

PUBLISHERS

HOLT AND COMPANY

NEW YORK

BY ROMAIN ROLLAND

Author of "Jean-Christophe," and called by W. J. HENDERSON "The most interesting of living critics of Music and Musicians."

SOME MUSICIANS OF FORMER DAYS Translated from the fourth French edition by MARY BLAIKLOCK. $1.50 net.

The Place of Music in General History; The Beginning of Opera; The First Opera Played in Paris; Notes on Lully, and shorter but vivid papers on Gluck, Grétry, and Mozart.

"... One of the greatest of living musical scholars. He is also the most interesting of contemporaneous writers Written with brilliant scholarship, with critical insight and with flashes of human sympathy and humor.... Every lover of music should hasten to give himself the pleasure of a persual of this delightful volume which radiates learning, keen judgment and sympathetic humor."-New York Sun.

MUSICIANS OF TO-DAY

Translated from the fifth French edition by MARY BLAIKLOCK. With an Introduction by CLAUDE LANDI. 324 PP. $1.50 net. Berlioz's stormy career and music, Wagner's "Siegfried" and "Tristan," Saint-Saëns, Vincent D'Indy, Hugo Wolf, Debussy's Pelléas and Mélisande," "The Musical Movement in Paris," and an absorbing paper on the Concert-Music of Richard Strauss, etc.

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"May surely be read with profit by the musically uneducated and educated."-Philip Hale in the Boston Herald.

HANDEL

Translation and Introduction by A. EAGLEFIELD HULL. With musical extracts, four unusual illustrations, and an index. 210 pp. $1.50 net.

Written with enthusiasim, but with judgment as well. The story of Handel's life is told simply, but with feeling and alacrity of phrase... will repay reading...."-Springfield Republican.

BEETHOVEN

Translated by A. EAGLEFIELD HULL. $1.50 net.

This is, perhaps, the most famous of the non-fiction musical books by the author of "Jean-Christophe." The translator has added to Mr. Rolland's famous monograph, in which he treats of Beethoven both as musician and hero, so much interesting additional material that this volume almost doubles the size of the original.

HENRY HOLT AND COMPANY PUBLISHERS

NEW YORK

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